The UK’s dedicated event that offers a comprehensive program on the latest innovations in imaging diagnosis and treatment.
We’re routinely assaulted by things around us that occupy one of two extremes; they’re either over-designed or they’re not designed at all. Like everyone else on the planet, I find this especially irritating when the deficient subject is a wayfinding signage scheme, which should guide you effortlessly to your destination – but often doesn’t because it’s been badly designed or poorly located.
There’s nothing worse than wandering round a building looking for a particular location, only to miss it because the sign that tells you that you’ve arrived had been sited on a door and somebody has left the door wide open.
I’ve always thought of wayfinding as a real specialisation within the scope of signing overall. It’s a specialisation that’s really dangerous to dabble in whether you’re the manufacturer of the components comprising a way-finding system, or the practitioner who installs them. You have to be really into it, to do it at all well. There are so many factors the end product needs to satisfy and letting any one of them dominate, at the expense of another, leaves you with the ruin of a wayfinding scheme to deal with.
Signs that relate to generally static chunks of infrastructure, such as Aberdeen or Penzance, have a life span that’s largely a function of the materials they’re made from. When the weather has done its work, the sign will be replaced, in all likelihood with something pretty much identical. That’s because, unless something really unusual happens, Aberdeen and Penzance will always be where they are now.
Most wayfinding schemes through usually point the way to something that is anything but static. People get promoted. Radiology gets a new machine and moves to a bigger room. A new MD in installed and he’s a sales driven animal so finance is consigned to a new home in a temporary building by the bins. A wayfinding scheme has to be ‘updatable’ to reflect these changes.
Forty Shades of Green?
I was given to believe that there are forty shades of green. Try telling that to whoever was responsible for the directory in a Nottingham department store I visited. Every little component in the system has been stove enamelled, or painted, in a shade of green close, but not close enough, to its neighbour. Every time a change was made, a new shade of green would find its way into the directory. Eventually, it lost its way completely. Cratered aesthetics!
How about the provincial theatre that signed up for wayfinding ‘in character’? No room here for the crisply rendered, get-it-at-a-glance quality of a sharply contrasting sans-serif face and unmistakeable din-standard arrows. Try brown lettering on gold anodised aluminium and, as if that’s not enough, make sure the letter is Olde English and forget that it has a lower case too. Cratered legibility! Old scheme NHS – acres of brown Darvic. Cratered functionality! Thankfully, wayfinding done well is an absolute joy to behold and there’s quite a bit of it around. Airports, on the whole, get it right. They spend a small fortune on signing because they’re in the business of herding people from one place to another and – their system would simply grind to an excruciating halt if they didn’t do it well.
The British road traffic signing scheme is just about the best in the world and, let’s face it, we get plenty of time to admire it at close quarters. You can’t talk wayfinding and transport without mentioning the London Underground. Its wayfinding scheme is an exemplar of best practice in signing and, in its way, a thing of beauty too. Wayfinding done well is a deep design specialisation. It draws upon knowledge of how type works and how things distilled to the barest essence actually function. The very fact that it’s not a discretionary involvement of the user with the sign, but something closer to necessity confers upon it a responsibility to do its job and to do it well.
No one goal in wayfinding is seconded to another. Whether the scheme sets out to counterpoint the architecture that is its host, or to work with it, it must do so in a manner that sits comfortably with its need to direct and inform. Give legibility its head though, and you may have won in the functional stakes, but you’ll also have blighted the venue with the aesthetics of a car crash.L
For more information about the BSGA, the services it offers, its membership and why you should consider using a BSGA member as the supplier of your signs, visit www.bsga.co.uk
Mid Cheshire NHS Trust’s ageing IT estate was causing significant problems. Amy Freeman, the Trust’s Associate Director of IT, identified a number of challenges that needed to be addressed when she joined the organisation in 2016.